Book Challenges and Bans Part 1: Moral Censorship Infects Everything

Photo by Дмитрий Пропадалин

Two years ago, I hoped that Australia would avoid a new wave of moral panic, culture war and censorship. Now, I'm not so sure. There are signs of concern, although there are also signs of hope.

This is the first of what I hope will be a series of blog posts (not fully thought through, but more like a work in progress) where I will look at these issues from a few different angles.

I'll talk about where we're at now, but I also want to go back in time and cast the net much wider, exploring how horror, violence, nudity and sex has been censored in Australia. What did those groups object to and why?

The dictionary definition of censorship is a process exercised by a group of people who ban or modify a text, consequently curtailing the chance for another group of people to see, hear, or read it in its original form. 


It's a limited definition that, in my view, doesn't include some of the more insidious forms of censorship like soft censorship (for example, when books are re-catalogued and re-shelved as adult when the target audience is for teenagers) and self-censorship in order to conform to the norm and not attract any attention/trouble.


Whilst the most commonly identified censorship is that of totalitarian regimes and their blatant ban of texts that do not follow their agenda, censorship is ever prevalent in free societies in subtle but powerful forms. Aldous Huxley warned in the 1930s that transparent censorship was to become the most powerful form, one that is assimilated and accepted by society. 


He was right. Most censorship these days is not blatantly coming from the top. 


With moral censorship, which is what we're seeing these days, pressure groups and the media exercise a strong influence over governing bodies advocating for protection for certain individuals from allegedly corruptive and dangerous films. To protect children from what they deem offensive, they demand that content and information is banned for everyone.


What we're seeing right now with attacks to LGBTQIA+ and sex education books as well as books with visual elements such as picture books, comics, graphic novels, manga, and non-fiction books with visual elements, is moral censorship of the worst kind. A culture war that aims to censor everything and anything they don't agree with or makes them feel uncomfortable.


The problem is that it infects everything else. 


When conservative and religious groups and individuals continue to harass librarians and educators, objecting to books they deem inappropriate and referring those books to local government councillors, school principals, the eSafety Commissioner and the Australian Classification Board; well meaning people start to watch themselves and soft censorship slowly spreads.


Financial censorship starts to be exercised by publishers who, even when they're well meaning, they give little suggestions to creators to make amendments to avoid any trouble or who decide not to publish something because 'we better avoid entering into that for now.'


Educators start to self censor and don't invite an author to school because they are openly gay or take some books out of the classroom library and classwork because they don't want parents complaining about indoctrination


Librarians start a process of soft censorship, hiding some books, taking them out of the shelves, re-cataloguing them for an older audience even though they're written for teens, or simply stop buying them, because they don't want complaints from patrons.


Political censorship emerges then with councillors and politicians demanding that some books are removed because one person finds them offensive or uncomfortable.


All this happens quietly. As teachers don't choose a certain text just to avoid any trouble with parents, as librarians don't place some books or graphic novels on display for fear of patrons making a complaint, it goes up the tree and management level staff start to say that 'adult graphic novels are not worth the trouble.' They also cancel a Rainbow Family Story Time because they don't want protesters at their door. Etc.


It's incredbly frustrating and disheartening when people instigating this type of culture war, despite their little tiny weeny number, can have a ripple effect that can grow into a terrifying and soul destroying wave.


It's not all doom and gloom though. Despite Australia's history of censorship (and it's quite a history: here's an article discussing Australian censorship in films and here's an article discussing Australian censorship of books throughout the 20th century), there are some positive signs.


Thankfully, there doesn't seem to be much appetite for political censorship of books and libraries in Australia. Some politicians from One Nation and LNP have tried to sow discord and fear but they're very few and on the far right, conservative and religious side of the spectrum, which is not gaining much traction in Australia. See for example what happened most recently in Albany, WA. They tried but failed because the community trusts libraries.


They failed in Albany, they failed with Gender Queer last year, but even when they lose, their actions can have serious consequences, including serious harm to marginalised members of the community.


The good news is that so far, they're not gaining much traction and, so far, teachers, librarians and institutions in Australia have very strongly repudiated these kind of attacks. 


Let's hope it lasts. Let's hope we don't give an inch.

Basque Songs in English: Bide Ertzean - Les Dones del 36

Bide Ertzean was a pop rock band from Tolosa, Gipuzkoa. In 2006 they released a very special album: Non Dira, which translates as Where Are They? 

Every song in the album is inspired by different people, stories or moments from what is known as the Spanish Civil War, though it would be far more accurate to call it the Spanish Fascist Coup. 

Non Dira is an incredibly moving and beautiful album. It's also deeply emotional. The fascist coup was brutal and 40 years of dictatorship followed. There were mass graves scattered across all of Spain but there was also a deafening silence. 

People were afraid to speak and it took a long time after the fascist regime for people to start to open up about what happened. Even longer for the Spanish government to start supporting the search for bodies and to honour the memory of those who were lost.

In 1997, a group of women, survivors of the fascist coup and regime, got together and formed a group, Les Dones del 36, to tell their stories and to teach new generations that the social advances they were enjoying were not the result of the democracy that followed the dictatorship but of a fight and advances made since 1931 during the Second Spanish Republic.

As always, there are no perfect translations but here's my translation of the eleventh song in the album that was inspired by these women.

I want to learn again

The beauty of the fight

Where and how the light 

Of freedom sparked


I want to hear again

What I left unheard

How to combine

Freedom and blood


After losing the war

After losing the peace


I will ask again

Though so long has passed

With what weapons can we resist

The dark attacks of silence?


After losing the war

After losing the peace

Do they still live? Are the dreams 

Of that time still alive?


All those dreams crushed

by silence, are they still alive?



Comics: Studies and Reports Keep Coming

International sales of comics

The European and International Booksellers Federation released a report and it shows that, across 19 countries in the study, comics made up 10% of all book sales.

Australia is included in the report but, unfortunately, comics sales are not reported for Australia as they’re not in the top 5 categories and only the top 5 categories appear in the report.

Two countries in the report have comics in their top 5 and we have a lot of work to do to catch up with Italy 20% of the market and France a whopping 22% of the market. In fact, in France, graphic novels, comics and manga are the third biggest category after fiction 68% and lifestyle 23%. 

Sadly, Japan is not included in the report. That would've been interesting to know. 

I will be looking more into international comics sales soon.


The TINTIN Project: Visual narratives, language and cognition

It's great to see the growing body of study and research on comics and multimodality. Hopefully, I'm not the only one who thinks this kind of research interesting. I can't help it, but the media studies teacher, librarian and comics reader in me come together to be fascinated by the power, richness and depth of comics as a multimodal storytelling medium.

Comics theory writer and cognitive scientist researcher Neil Cohn is at the forefront of this kind of research. Through the Visual Language Lab, Cohn and his team explore the structure and cognition of drawings and visual narratives through the analysis of 1,030 annotated comics from 144 countries and territories. The project aims to answer big questions such as: 

  • Are there cross-cultural patterns in the visual languages used in comics of the world? 
  • Do those patterns connect to the spoken languages of the comic creators? 
  • Do people’s languages or comic reading experience influence how they comprehend comics?
As Cohn posted on BlueSky recently: 
"We’ve been annotating the comics using our Multimodal Annotation Software Tool, and have looked at various structures like panels and their properties (backgrounds, framing, events, etc.), motion events, perspective taking, emotion, meaning changes between panels and lots more." 
Some information about this project is already out here, with more coming next year.

Or if you want to hear from Neil Cohn directly, here's a video of Neil Cohn discussing Multimodality and Visual Language (starting at the 17 minutes and 15 seconds mark).


Graphic Novels: Can We Grow Them at Home?

I'm so excited this report is finally out! Sophie Splatt has done an extraordinary job in compiling information and thoughts from a wide range of participants. 

I was honoured to contribute to this as convenor of ALIA Graphic Novels and Comics. We are seeing some big changes in the Australian publishing of graphic novels with publishers like Scribe starting to publish graphic novels for adults, Hachette working on some YA graphic novels, and Hardie Grants creating a new imprint dedicated to kid's graphic novels. 

This report couldn't come out at a better time and I have very high hopes for the future of comics and graphic novels in Australia. You can read the whole report here.


Folio: Stories of Contemporary Australian Comics

Last but not least for today, we have the Australian Folio project. This project has been going for a few years and, as I understand it, it will be publishing its final results next year. The project aims to: "map, archive and promote Australian comics and graphic novels produced in the last 40 years, and the artists who created them."

They have published some great research already. I highly recommend the series of essays by Australian creators and Lead Investigator Liz MacFarlane. They are a must read. 

The Graphic Storytellers at Work report is also great reading. The report provides a review of Australia’s contemporary comics community, and the contexts in which its artists are using and developing their skills.

AI : The search for a solution to a problem that doesn't exist and a new problem for the world

Photo by Markus Winkler

Let's be honest. AI is the solution to a problem that doesn't exist and a new problem for teachers, academics, libraries and the world. A very serious problem. In fact, we're already seeing the results of AI use infecting our library collections. AI generated books and AI narrated audiobooks that are appearing in our library collections and digital vendors should be a serious concern. Libraries were concerned about self published books a decade ago. Well, this is far, far worse. 

AI is being presented by some as a great solution for everything. It will help you:

  • write your novel or script for you or emails for your employees
  • it will create art for you 
  • summarise content so you don't need to read the whole essay
  • it will find answers for you
  • etc.

While those who promote AI talk about all this as a positive. I don't see any of it as a positive at all. They're not talking about how unreliable AI is. AI can write stories but those stories are soulless remixes of previous stories stripped of a thinking creative mind and most importantly heart. The characters and the plot develop machine like, mechanically. How could it be otherwise when a creative human is replaced by an algorithm? 

And don't get me started on Grammarly, a poorly conceived tool that as Krista Sarraf, Assistant Professor of Technical and Professional Communication, California Polytechnic State University, says: cannot ensure that your writing is clear, mistake-free, and effective

An example of AI helping with writing - apparently

The same can be said of using AI for creating art. I don't care if it's drawings, paintings, photography or video. AI cannot create art, it can only create lifeless remixes of previous art. In this context, it's been great to see artists, comics festivals (here's a great statement from the great people at the Perth Comics Art Festival) and more taking a stance against AI. For example, this petition, which I strongly urge everyone to sign.

Worst of all, AI companies are stealing art from creators. They are feeding the algorithm art created by writers, artists, painters, filmmakers, without their permission. This is complete and utter theft. Worse, the AI companies have admitted they're doing it without any protections or compensation for authors and artists. In fact, they just shrugged off any concerns because to them money and profit is all that matters. The artists don't matter.

I've heard there's also a trend where team leaders, managers and coordinators are now using AI it to compile information and send emails to their staff. The internet has been flooded with articles about how to use Chat GPT at work to save time. I find this horrifying. How can a team leader, manager or coordinator think about the issues, relate to their staff and reflect on what they're communicating to their employees when they leave the packaging of their communication to Chat GPT?

It's also said that using AI for these tasks will save you time. I don't believe that. Using AI for any writing won't save you time because you still need to go through what's written. You must edit and rewrite to give that soulless writing some life and to ensure that the writing is accurate. We know and it's been proven again and again that AI writes a lot of meaningless drivel. With confident authority but meaningless and inaccurate drivel nonetheless.

As it was widely reported, the New York City Chatbot has provided a lot of examples of not just wrong answers but even encouraging businesses to break the law. The New York mayor acknowledged the issue but still refused to take the chatbot offline and simply added a message stating that the chatbot will “occasionally produce incorrect, harmful or biased” answers. 

The problem is not only that it provided incorrect answers. It also encouraged businesses to break the law, offered false information and it even produced absolutely bizarre and disturbing answers like when it was asked if a restaurant could serve cheese after it was nibbled on by a rat. The answer: 

“Yes, you can still serve the cheese to customers if it has rat bites,” just make sure that you have a look at it and assess the “the extent of the damage caused by the rat” and “inform customers about the situation.”

The lack of insight and common sense on display in the answer is astounding. It will clearly say anything to please the person asking the question. Some call it the price of progress, I suppose.

I can't stand AI summaries. Once again, the promise of saving time so you don't need to read the whole news article or the whole essay by this or that academic is absolute rubbish. It's reducing our brain processes, our understanding of issues to a form of Orwellian Newspeak. 

Context and nuance are essential. When looking into an issue, when reading about it, when seeking information we must look at it deeply and the way to do that is to read the whole paper. To analyse the text as a whole. AI summaries, not only reduce a text to some key points selected by an algorithm and what that inscrutable black box deem important, but they often leave out key information, nuance and context. It reduces information to soundbites, which is incredibly dangerous.

I see that Google Scholar now features AI summaries.

They frame it in such a positive way 🙄

The same can be said about AI finding answers for you. It will definitely find answers but will it give you the right answers? Definitely not. Once again, AI doesn't understand context and nuance. It's so keen to help you and give you the answers that sometimes it makes up the answers. 

On top of those examples by the New York City chatbot, I recently read about a librarian who spent two hours looking for a book that a patron was recommended to read. Unfortunately, the book was made up. It didn't exist. The helpful AI librarian had created a title that the patron would like and added it to the list of recommendations but forgot it had to be a real book. And here's another example.

Or what about the German journalist who checked his name on Microsoft's AI Copilot to see that he was described as a 54 year old child molester who had confessed to the crime, an escapee from a psychiatric institution, a con-man who preyed on widowers, a drug dealer and a violent criminal. None of it was true. Martin Bernklau is a journalist who has not committed any of those crimes, though, he has written articles about all of them, which is his job. The AI tool put 2 & 2 together and turned him into a depraved man with a long history of crime, it also published his "his real address and phone number, and a route planner to reach his home from any location." The full article on ABC News is worth a read.

Now, isn't that monstrously helpful? 

AI has accelerated the enshittification process of the internet and turbocharged it (if you want to know more about the enshittification of the internet this three episode podcast series by On the Media is excellent). Like it or not, Google became the standard search engine because for so long it provided sound search results and tools for refining those results. I know there were issues with Google Search but since they've started implementing AI into the search results it has become useless. I abandoned Google Search a few months ago.

I have to say that I'm not totally opposed to the use of AI. I admit that it can be helpful and a valid tool in some fields, industries and contexts. 

For example, AI has been used in hospital and specialised medical fields to identify issues long before doctors can and to predict the patient's response to treatment. It's not flawless but the results so far are quite incredible and very encouraging. Identifying cancer long before it develops to a point when doctors can is a huge triumph. 

But even here, I also have some reservations. Like every tool, this can be a positive tool but it can also lead to nightmare scenarios. For example, imagine if profit driven insurance companies start mandating tests and using AI to predict your future health issues and then deny insurance cover or raise your insurance premiums according to what the AI says.

Aside from specialised fields, I do think that no one in the general population needs AI and Chat GPT. It solves no problem but it does create serious problems. Apart from the problems outlined above, there's another huge one: it accelerates climate devastation.

AI uses an inordinate amount of energy and resources. An AI search uses 2.9 watt-hours, while a normal internet search uses 0.3 watt-hours. Open AI's GPT 3 uses nearly 1,300 megawatt-hours (MWh) of electricity (if you want to be further horrified, more information on AI energy use here). And that's not all, AI has accelerated the need for data centres. In Ireland for example, one third of all the energy used in the country is for data centres.

At the time when we're scrambling to reduce energy use and reliance on fossil fuels. When we're struggling to meet energy targets to avoid the worst effects of climate change, the spread of AI and the increased energy and data use are rapidly increasing energy demand.

And, of course, tech bros and fossil fuel addicted corporations then start talking about the need for gas to continue as an energy source while we transition to nuclear because renewables, according to them, won't be enough. But the problem is not whether renewables are enough or not, the problem is that we are not even trying to reduce energy use, instead we're ramping up use. 

As Jeff Bezos visited space, his takeaway was not the beauty and vastness of space that we should protect. Instead, he spoke about how we should start using space as a damping ground, moving all polluting industry into space. What an opportunity hey! And he frames it as a good environmental decision. In his little brain, apparently, he's a greenie.

Elon Musk trumpets his green credentials with electric vehicles and solar panels, his Space X program is causing huge environmental devastation and at the same time he says "we are life’s stewards, life’s guardians." 

He's also addicted to his private jet, which he uses incredibly frequently and very often even for flights as short as 15 minutes long. As reported by the Robb Report, Business Insider and Bloomberg (among others), in 2022 his jet emitted, "2,112 metric tons of greenhouse gases. That’s more than 140 times the average America’s carbon footprint, Bloomberg noted, and a Tesla Model 3 would need to replace an average premium internal-combustion car for 7 million miles to make up for the environmental impact."

Coming back to AI and libraries, which is where I earn my living. I despair when I see IFLA publish a statement on libraries and AI that considers "the use of AI technologies in libraries should be subject to clear ethical standards, such as those spelled out in the IFLA Code of Ethics for Librarians and other Information." That is to say, it considers that libraries:

  • can educate users about AI, and help them thrive in a society which uses AI more extensively and
  • can support high-quality, ethical AI research.
They say that library workers need to adapt have a list of recommendations which focus on awareness, education, ethical standards and privacy. But totally fail to look at AI critically and to discuss the environmental impact. 

Then there's a great article on the American Libraries website with a panel answering a series of questions about AI and discussing positives, negatives and concerns. Once again, the focus is on ethics, copyright, misinformation, deepfakes, AI literacy, privacy, etc. Once again, there's no mention of the environmental impact which will void most if not all the progress we've done with renewables.

In my view, libraries (and schools, and etc) promoting the use of AI uncritically goes against our professional values. Libraries (anyone really) using AI goes against our purported aims for sustainability and the environment.

AI won't save us, it won't help us, it won't improve our search results, writing or art. It will simply reduce our understanding, empathy, creativity and critical thinking capacity. It will drastically increase our energy use and consumption, and rapidly accelerate our demise.

It's our responsibility not just not to use it but, also, to strongly advocate against its use.

If you want to know more I also recommend the four Data Vampires episodes from the Tech Won't Save Us podcast. Episode 1 of 4 is here.

Songs of a Friend Who's Always There

Some bands you learn to appreciate in time. Some you like from the start and then grow on you. Others you connect with and then grow apart or drift off from them. 

Then, there are the bands you connect with instantly, from the first time and stay with you forever. The Cure is like that for me.

Have they ever been my favourite band? Probably not, but have they always been in my top favourites? Yes. Always. 

The Cure is the kind of band that's always been there for me and with me. The kind of band that sometimes quietly took the back seat for whatever new band I discovered and obsessed with at the time. But Robert Smith and the crew were always there and always came back to them. 

The Cure is the friend you don't see most often but the one you go to when you need someone you have a deep connection with. The friend you go to when you need to have a good talk. When you need to talk about deeper issues, personal issues.

I remember my first introduction to The Cure like it was yesterday. It was Saturday morning, I was watching TV at my grandparents' house. It was a children's show, but a children's show unlike any other I have ever seen. 

The stories often dealt with social and political issues and they didn't dumb things down. Then, there were a lot of artists from the Spanish alternative pop rock scene of the time who were heavily involved with the show. Often they would play music videos from international artists but they were never the obvious pop artists of the time. 

That's where I discovered Kate Bush, Midnight Oil, and The Cure. Among others.

I was ten years old when I saw the video for Close to Me. I was instantly fascinated by the music and the video. I had to get my hands on The Head on the Door immediately. I knew that was special. It spoke to me with a very unique voice.

After that, discovering their back catalogue and travelling with them ever since has been an absolute thrill. Sixteen years without new music is a very long time. But it was totally worth the wait. The band and the album sound totally reinvigorated. Songs of a Lost World is an instant classic full of layers, one that will keep growing in depth with every listen and with time.

Seeing the band playing every song of the new album live on YouTube has been such a thrill. 

I hope they keep the video on YouTube. 

Basque Songs in English: A Song From the Past

Sumin Samin & Kaos

It was some time around 1995 or 1996. If I remember correctly. At the time, I was totally obsessed with fantasy novels. I read Le Guin's Earthsea, Tolkien's Silmarillion and Unfinished Tales, the works of Guy Gavriel Kay, and more. This was also the time when I read Edgar Allan Poe's stories for the first time.

Looking back now, I'm pretty embarrassed by the things I wrote during that time. Which is normal. But I also look at those writings with fondness. It was a different time. I was only just starting to create and write my big fantasy mythos. I was still finding my voice.

It was during that time that I wrote a pretty short and simple poem. One of my friends really liked it and he showed it to another friend who was the singer, guitarist and main composer for a heavy metal band with a penchant for fantasy tinged lyrics. 

A few days later, they had a song with my lyrics: Arima Galdduen Jauregian (The Castle of Lost Souls).

Here's the original Basque text, followed by my own translation to English.

Ezagutzen al duzu arima galduen jauregia?

Atea bi dragoi erraldoiez dago zaindua,

Ta behin barruan, iluntasuna inguruan,

Ta mila hegazti hegan,

Zuri begira. Arima Galduen jauregian.


Han dagoen bide ilunetik dabiltza beti.

Itzal ilunak, betirako madarikatuak.

Itxaropen gabe, betirako ahaztuak

Azken gela hotzera

Heuren patua aurkitzera


Hiru errege inoiz ez menperatuak

Harrizko hiru tronu ilunetan

Hegazti beltzei agintzen die zain ditzaten

Zeruari ohostutako arima guztiak

Arima galduen jauregian

Arima galduen jauregian

---------------------------------------

Do you know the Castle of Lost Souls?

The gate is guarded by two giant dragons

And once inside, darkness all around

And a thousand birds flying

Staring at you; in the Castle of Lost Souls.


Ever descending down the dark path,

Dark shadows, forever damned,

Without hope, forever forgotten,

Reach the last cold room,

To find their doom.


Three kings never vanquished

Sit on three dark thrones of stone,

Commanding the black birds to watch

Over all souls stolen from heaven;


In the Castle of Lost Souls

In the Castle of Lost Souls


Back then, I listened to a recording of the song from a rehearsal and I really liked it. I especially liked how the song started quite atmospheric and mysterious then built up to an epic conclusion. 

The band played quite a few gigs but never recorded an album and, some time later, they disbanded. 

I often thought of the song. I wanted to listen to it again but I never could. The rehearsal recording was lost and they never released an album. It seemed like a lost  cause. 

Until now!

Some of the members of the band kept in touch and they thought it would be interesting to resurrect those songs in some form. They knew there wouldn't be gigs and an album. The time for that was long in the past.

But they shared stories. Stories about the band, stories that they could about their youth, and putting them all together, with a healthy creative licence, they developed a story for a six part podcast series. It's fiction, but it's based on their experiences and, of course, it features a lot of their songs. 

The first four episodes are out so far and it's been really interesting to follow their story and to listen to the old songs in a new way.

That's a long way to say, I finally have a recording of the song and I love it. Sure, it will never be a hit but I never thought I'd hear the song again and it's been an absolute thrill to receive the recording and sing along with the band. 🤘🤘🤘🤘